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Artist Biographies -
Simply Divine
December 13, 2008 - February 6, 2009
Artists
Click on Thumbnails to Enlarge Artwork
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Sandi Adams lives
in Berkeley, CA. Interest in the visual arts has been a constant
in her life. At nine, she was introduced to watercolor at
her Saturday Milwaukee Art Institute class. Watercolor has remained
her primary medium, but she has also worked in ceramics, textile
arts, photography, and now, acrylic and mixed media collage. Her
art training includes coursework at Pomona College, Scripps College,
UCSF Extension, CCAC in Oakland, and served as an Art Docent at
the Oakland Museum. In addition, Sandi has taken workshops with
local artists including Judy Greenberg, Jane Hofsteter, Kathleen
Brennan, and Ann Baldwin. She is affiliated with the California
Watercolor Association, Marin Society of Artists, Valley Art Center,
and Frank Bette Center for the Arts. Sandi participates regularly
in juried shows at these organizations and has had three solo exhibitions
in the East Bay. Last year she received five awards! Sandi
uses her photography as inspiration for much of her representational
work, but has been increasingly drawn to abstract layering and
collage. She says, “Involvement in my artwork renews
and enriches me. The doing of it, the process, is critical
to my well-being. An end product is almost secondary to the
process! I am working toward achieving glowing, translucent color
to convey an emotional impact and enjoyment for my viewer.” |
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Salma Arastu currently
lives in Emeryville and owns a studio at Sawtooth building on 8th
strret in Berkeley, after moving from Pennsylvania in 2006. She
grew up in Rajasthan, India and was passionate about art since
childhood. She has been painting for last thirty some years, since
graduating in Fine Arts from MS University, Baroda, India in 1975.
Her work with continuous and lyrical line is influenced by her
native culture and her residence after marriage in Iran and Kuwait
before coming to the US in 1987. Born into the Hindu tradition
in her native India, she later embraced Islam through her marriage.
Her personal triumphs have been defined and shaped by the simple
principle of faith in The Divine, as the compelling force which
has guided her life and work. As for her present work she states: "Folk
art, miniature art and Arabic Calligraphy are three strong influences
on my art, adopted along my journeys. All textures and all colors
are assimilating on my surfaces. I am creating a body of work of
through continuous, lyrical line, to express joy in the universal
spirit that unites humanity". She has won many awards and
has had more than thirty solo shows including New York, Philadelphia,
and Internationally in Germany, Kuwait, Iran and India. Her website: www.salmaarastu.com. |
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Lili Artel’s roots
are in New York City but she has flourished creatively in the East
Bay area of California. She now lives in Berkeley, Ca. After
getting a bachelor’s degree (English
Major, Social Studies minor) at Hunter College, NYC and after being
wife, mother of two daughters, teacher and newspaper stringer,
she went to California State University, Hayward to study Art.
Her Art education was primarily in sculpture from ceramic to direct,
metal and casting in metal. She began working in non-art
related materials: packaging papers, plush fabrics, nylon pantyhose,
ropes and cords, leather and felt and found objects, i.e. feathers,
bones and metal shavings. Her original intent was to be a writer,
particularly of short stories. Her fiction has appeared
in anthologies, “Thursday’s Child”, “Across
The Generations”, “A Baker’s Dozen”, and
literary journals in California and Oregon. Her poetry was
published in the 25th Anniversary issue of “Room of One’s
Own”, a Canadian feminist literary journal in 2003, making
her a poet of international dimensions. A retrospective show
of almost 40 years of art work took place Dec. 1-17, 2005 at the
Sun Gallery in Hayward. Both in her art and in her writing she
has marched to the beat of a different drummer. She states: “It
is a challenge to transform the ordinary and utilitarian materials
into art though use of my imagination.” Her artwork is abstract
from nature, heavy on texture and diverse in technique. She may
sew paper rather than glue, tear it forcefully rather than cut
it. Whe weaves, wraps, knits and knots, hammers, burns and distresses
the materials--- “whatever it takes”, she states, “ I
feel that I am spinning straw into gold.” |
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Kay Athos of
Castro Valley became interested in drawing at a very early age
and studied art in high school and college; she took post-graduate
courses at San Jose State; The College of Arts and Crafts, Oakland;
Cal State, Hayward; and at Guadalajara, Mexico. In hands-on workshops
she studied with well-known artists in all media. She paints
in both realist and abstract styles on canvas with oils and acrylics.
Her paintings are in the collections of major corporations. Currently
her work can be seen at Marin Society of Artists, Ross; and Valley
Art Gallery, Walnut Creek. Her oil, “Lost in Thought” is
on the cover of “Women’s Wisdom,” by Meg Bowman. |
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Satadru Sovan Banduri is
a well-known painter and video artist from India. New Media Artist
started his career like most other artists—by working toward
his BFA & MFA in fine arts from Visva Bharati University, Shantiniketan,
west Bangal 1998 & 2000. Satadru was awarded a Fulbright fellowship,
He is a research scholar at DANM University of California , 2007.
Satadru has honour Indo-German Artists' Residency and Annual RPG
art camp at Mumbai. Satadru Live and work in New Delhi,India. In
contemporary new media art practices, Satadru has attained a vibrant
global position with his multi-disciplinary works. Satadru did
six solo show at India and US and several group show and
project based New Media Art at India ,Germany, Malaysia ,Hong Kong
,South Africa , Netherlands and USA.Selected significance
show , "EnGendered" , multi-disciplinary South Asia
Arts festival at Lincoln Center Manhattan, 'Mellifluous Metaphors'
Wei-Ling Gallery at Malaysia, IIE .west coast center, San Francisco,
Galerie Muller & plate, Munich, " Emergence 2007" DANM,
MFA, Exhibition,USA. "Invisible Boardwalks", The Museum
of Art & History, Santa Cruz, USA, "Cross Cultural Celebration" California,USA, "The
Autoerotic Man" at Bridge Gallery,USA, Autonomous mutant festival,
California, USA. "Rhythms of Illumination" Episode, Chandigarh
and "Creative spirits",South Africa , Nitanjali Gallery.
His work was Art Auction at Khushi presented by Nitanjali
Gallery . His video-art online, at www.theoneminutes.org, and was
telecast in Amsterdam.His Video Art was projected CC, organized
by the Royal Netherlands Embassy & The Mondriaan Foundation.His
spacial video also show case in Karachi, Pakistan National
lecture , Bombay and Baroda as a part of lectures and screenings.
And also broadcast on national television channels DD Bharati,
DD1and DD Newsas a part of programme produce by Doordarshan, India.
He was selected Indian Art Summit, India's Modern &Contemporary
Internatinal Art Fair. Multi telented Artist was invited for lecture
at "EnGendered" , multi-disciplinary South Asia Arts
festival at Lincoln Center Manhattan. His work comes from global
cyberspace, social networking and Phantasmatic visions of race
and gender. |
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Tim Brinton was
raised in Salt Lake City, Utah and currently resides in Carlsbad,
California. Tim was born to be an artist. He has been
drawing and painting ever since childhood. This passion led
to his enrollment in the University of Utah where he studied fine
arts and the Utah where he studied fine arts an he Utah Technical
College where he focused on commercial art. As a staff artist
for the Salt lake Tribune for seven years, Tim had the opportunity
to fully develop his skills for editorial illustration. Since
leaving the newspaper in 1983, Tim has earned his living through
the syndication of his work. His drawings and illustrations
have appeared in hundreds of newspapers and magazines around the
globe, from San Diego to Boston, from China to England, Tim’s
gift of capturing American political sentiment in pictures makes
him a favorite with many notable magazine and book publishers. Originals
of Tim’s work grace the offices of well-known state and national
politicians. In keeping with Tim’s typical tongue-in-cheek
humor, he realizes that it is also likely to grace “the bottom
of birdcages”. Modest about his gift, Tim credits others
with his success. “Due to the warm hearts of opinion
page and editorial editors I’ve been able to do what I truly
love.” He adds “I am truly grateful and indebted to
all those who find value in what I do … except for maybe
the birds!” |
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Carol Jones Brown of
Castro Valley, grew up in Sacramento, began painting in oils more
than 40 years ago. She graduated from the University of Oregon
in journalism and later became an arts educator, teaching local
adults to paint and draw. She attended many workshops and
classes by regional and national artists, is inspired by the colors
of Matisse, whimsy of Chagall, and quirkiness of Jaspar Johns. Although
not a sculptor herself, she admires the madcap colors of Niki de
Saint Phalle and the freedom of Magdalena Abakanowitz. Carol now
works in acrylics and mixed mediums in an abstract manner, frequently
beginning with no objective in mind. She craves strong, bright
colors, saying, “I love to attack my blank canvases with
globs of hot color or luscious cool tones, then try on a variety
of textured papers or fabrics to see what will happen. My goal
is to create a surprise, for myself and for the viewer”. She
has shown in many galleries and her pieces are in private collections
around the world. She is a member of several active Bay Area
art organizations and currently president of A.R.T., Inc. in Castro
Valley. Her website is www.silktreegallery.com |
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Aaron Carter lives
in the East Bay. He works in various mediums: ceramic, drawing,
sculpture, design and painting. He went to Castlemont High where
his drawing teacher put one of his works in an exhibit at the Oakland
Museum. This spurred his interest in learning more about different
forms of art and he took classes at Laney College (drawing, design,
silk screen, advertising art and art history); at San Francisco
State (advanced drawing, metal arts, film, advanced ceramics, and
Raku and at Merit College (advanced ceramics}. He is continuing
his studies and is very close to a degree in art. He was hired
as part of the college staff doing the firing for one class and
helping students as a mentor. A teacher gave him a Raku kiln
and he also bought a small kiln and started doing his work from
home and selling his ceramics on Telegraph Ave and in Street Fairs
and art galleries. As a Member of the Richmond art center since
2003, he had a one of his pieces displayed with the featured artist
that year. In 2006 he became one of the featured artists
and won the Jan Hart-Schuyers Artistic Achievement award. Currently,
he is a member of Pro Arts and is now also showing his work at
Expressions Gallery. |
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Lidia Colman was
born in Belgium of Polish descent. Early childhood was spent in
Poland infused by the Drama of WWII in a family of musicians and
painters. She attended the Academy of Art School Krakow for a year
before arriving in the USA. She had formal instruction from various
artists and attended workshops held in the USA, Hawaii, Bali, France
and Mexico. She has had two solo shows in Honolulu Hawaii and held
and open studio in San Francisco in 2007. She has been greatly
influenced by Matisse, Gauguin, and Frieda Khalo. She states: “I
love color and fall in love with animals, people and places. Once
touched by their magic, I am compelled to paint. I use various
media entering into a kaleidoscope of shapes, colors and fantasy,
a form of meditation, a restful moment away from the mundane day-to-day
world. I love the process and hope the viewer will enjoy the product. |
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Attila Cziglenyi is a contemporary artist in
watercolor, acrylic and oil media. For the past two and a half
decades, the subject matter of his paintings ranged from landscapes
to aviation and still lifes. Always interested in art, he started
his art education in Texas at the Houston Museum of Fine Arts,
then continued at Chabot College, Hayward and participated in workshops
and classes given by well-known artists. Attila has participated
in numerous juried group shows in Texas and California and was
accepted in the Oshkosh EAA Air Adventure Museum exhibit. He is
a member of the Hayward Arts Council and ART Inc. “With
my paintings I try to express the exhilaration one feels at the
sights and sounds of whirling propellers, roaring of a rocket or
the moods created by the changing lights in a landscape. I am always
looking for unusual shapes, lines or colors to best convey this
message”
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Elizabeth Dante was
raised in the rural south and now is living and working in
Richmond, Ca. Dante has worked and traveled in Central and
South America, Southeast Asia, Germany and Italy. She has
attained an affinity for the third world, and acquired the
skills of the old world This ever present influence has
provided Dante with a stylistic inspiration for works
ranging from classical naturalism to primitive stylistic narration.
Much of her work explores the dynamics between round organic forms
and hard ridges angles, and the spaces in-between. By
exaggerating this interplay, her work creates a sense
of tension which is both lively and sensual. Dante
states, "My world combines ancient and modern rituals,
extracting stylize motifs and archetypes, ancient and I
pay homage to the many facets of the human sprit, characterized
by warmth, humor and sometimes political commentary. Her
works have been showcased in "Art on The Rock At Alcatraz" and "Dead
of the Dead" exhibition at the Museum of Mexican
Art. In 1990, The City of Oakland purchased her
sculpture "Woman’s Liberation", as a gift
to Nelson Mandela. She also received the Art of
Peace Award the same year. |
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Barbara de Groot started
her artistic interests when she was in grade school. By the time
she was a teenager and had devoured the book Lust For Life, a biography
about Vincent Van Gogh given to her by her nanny the dye was cast. She
was drawing whenever the opportunity arose. In her early
High school years she drew and painted from live models at the
Brooklyn Museum Art School with Isaac Soyer, one of three brothers
who worked with figurative imagery. She also was fortunate to study
in high school with very talented and comprehensive artist/instructors.
Much later in Berkeley, CA she joined a group of artists and drew
weekly from live models for about 12 years. Barbara de Groot
is a local Berkeley Artist and teacher of art who works in various
types of media such as monotypes; Chine Colle with other media;
Wood Block prints; Linoleum Block prints; Mixed Media Collage,
as shown here; Drypoint; Transfer Methods; painting and drawing.
She was an Art Major in Hunter College in New York. Where she learned
basic printmaking under noted printmaker, Gabor Peterdi and later
attended Academic Goetz in Paris, France where she learned many
of her specialized printmaking skills. She also takes photos to
capture inspirations for future paintings and prints and has developed
her photographic skills as well and enters some of her photographs
in Around the Globe. Her work is in many private collections
and has appeared in many exhibits in various galleries here and
abroad and is archived in the Women’s Museum in Washington,
DC and in the National Portrait Gallery in Washington, DC. |
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Joan Di Stefano-Ruiz is
a working artist who has maintained a studio that primarily does
liturgical arts. She works primarily in the mediums of stained,
leaded glass and mosaics. She has exhibited in Venice, Brescia
and Bologna, Italy; Tepic, Mexico and Paris, France. She recently
finished restoration work on the stained glass windows that were
once part of St. Francis de Sales Cathedral in Oakland, Ca. These
were then shipped to a new church, St. Paul Catholic Church, in
Pensacola, Florida. She also made angels for the tabernacles plus
mosaics for the wall and alter. She states: “My spiritual
life and art life are entwined. The various faith traditions of
liturgical work have expanded my awareness, reverence and appreciation
of other faith traditions.” She
is half Jewish but also embraces Buddhist philosophy and she is a
professed Secular Franciscan established by St Francis of Assisi
in 1221. In searching for one’s faith she states: “Fundementally,
I believe what we know to be true, deep in our hearts is what is
right for us.Faith is not a ‘one size fits all’ “. |
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Susan Duhan Felix lives
in Berkeley, California and has been a serious ceramic artist for
the last forty-five years specializing in ritual objects. Her work
has been shown at the Museum of Contemporary Crafts in New York
City, the Craft and Folk Museum in Los Angeles, the Oakland Museum
in Oakland, California and at Christie's in London, U.K. In 1986,
she had a solo show at the Judah L. Magnes Museum in Berkeley and
has a piece in its permanent collection. She has pieces in the
permanent collection of the National Museum of Jewish History in
Philadelphia, and her work is owned by the Skirball Museum in Los
Angeles and the Jewish Museum in the former Soviet Union. She is
currently the Art Ambassador for the City of Berkeley, a member
of the Berkeley Cultural Trust and has served on the Berkeley Art
Commission for six years and as president for three of those years.
She is a founder of the Jewish Arts Community of the Bay and served
as its first Executive Director. In 1987 the California State Assembly
passed Resolution No 1452 commending Susan Felix for her brilliant
display of artistic talents and her exemplary record of community
leadership. In 1989, the City of Berkeley honored her by declaring
March 16th, 1989 Susan D. Felix Day and again honored her with
the same award in 1999. In 1993, the Berkeley Commission on the
Status of Women honored her as an Outstanding Berkeley Woman. Susan
was selected for the special Millennium Edition of Marquis' Who's
Who of American Women and has been in Marquis’ Who’s
Who for the last three years. She was chosen by the International
Biographical Center as one of the 2000 Outstanding Artists and
Designers of the 20th Century. Her work is pit fired ceramic.
Pit firing, one of the most primitive of firing methods, requires
surrender of control over results. Susan states: “I surrender
my artwork and control to fire and trust in what will emerge. .Just
as we can trust in the light returning on a daily basis, I have
come to trust the possibility of powerful pieces emerging from
the flames. I am drawn to the mystery and magic of the ancient
and try to evoke similar responses in my art. The Hebrew words
for faith,” emunah” and art, “omanut” come
from the same root. My pieces represent the constant struggle to
find the light amidst the darkness and chaos of our lives. “ |
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Debbie Fimrite is
a deaf, Japanese-inspired artist with over 30 years of experience
studying, creating, exhibiting and occasionally teaching art. She
enjoys painting, drawing, sculpture, computer graphics, photography,
origami, creating art dolls and altering Barbies. Always interested
in art as a means of inspiration, self expression and healing; she
was fortunate to grow up in the presence of many supportive artists
including her mother who is a painter and sculptor. Over the years
she has exhibited in a number of Bay Area Galleries including the
Fort Mason Art Center, the Nanny Goat Hill Gallery, Gallery Sanchez,
The Tea Spot Cafe, the Japan Center, Red Ink Studios, the
Market Street Gallery, Art 94124 Gallery, Age Song Gallery
and participated in San Francisco and East Bay Open Studios. |
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Marin Fischer was
born in New York City, lives in Berkeley, CA. and has been an artist
as long as she can remember. She attended Brooklyn College in New
York, Wayne State University in Detroit, and received her Bachelor
and Master of Fine Arts degrees from Arizona State University.
Ms. Fischer is a nationally known painter and muralist. Her drawings
and paintings have been shown at U.C. Berkeley, the Phoenix Art
Museum, and galleries throughout the United States. Her murals
can be seen on the Claremont Avenue underpass in Oakland, California,
the O’Farrell Theatre in San Francisco, the Center for Independent
Living in Berkeley, and various locations in Phoenix, Arizona.
She has also been a teacher of art, murals, and theatre; a scenic
artist--painting sets for the Lyric Opera Theatre at Arizona State
University; and designed, built, and painted sets for a local theatre
production of the rock musical “Hair.” The artist states: “My
watercolor paintings and colored pencil drawings of water/landscapes
deal with the effects of light and shadow on smooth and textured
planes, lines, and surfaces. These images are figurative reflections
of the physical and emotional impact of light and color reflected
onto the eye, and of the impact of civilization on our wild and
beautiful earth; inspired by my impressions during the years I
spent dazzled by the light of the American Southwest.” “Art
is the creation of forms symbolic of human feeling.”—Suzanne
Langer, Feeling and Form, 1952 |
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Rinna B. Flohr lives
in Oakland, California. She grew up on the East Coast in New Jersey
and New York. She graduated from Syracuse University with a B.
A. in theatre arts and a Masters of Social Work. She also completed
a Certificate in Psychodrama at the Moreno Institute of Psychodrama
in New York. She received her license as a clinical social worker
and for 37 years she worked as a licensed psychotherapist in private
practice and as Deputy Director of Mental Health for Alameda County,
Director of the Center for Special Problems, San Francisco Community
Mental Health and Assistant Director for San Francisco County Behavioral
Health Services. In 1991 her house burned down in the Oakland fire,
which led her to study Interior Architecture and Design in order
to rebuild her home. She completed the program at UC Berkeley in
2001. With an interior design degree she started Design Ideas (www.designideas.us) and
she began doing remodels and designing new interiors that later
led her to staging and floral design. She studied floral design
with Ron Morgan. Her floral designs were part of the Bouquets to
Art Show at the Legion of Honor Museum in San Francisco in the
past and she was a member of the San Francisco Museum flower committee.
She also makes jewelry from recycled materials left over from interior
design projects and later from other found objects such as found
rubber from inner tubes of tires or cement from building sites.
She was President of San Francisco Women Artists in San Francisco,
one of the oldest women’s art galleries. Currently she is
founder and Director of Expressions Gallery in Berkeley, Ca. (www.expressionsgallery.org )
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Sue Mary Fox splits
her year between her winter workroom in Berkeley, CA, and her summer
workroom in the village of Robbinston, Maine. Born and raised
in a rural hamlet on the wild Maine coast, Fox spent her early
summers organizing bits and pieces of nature’s “art
parts” into patterns on 2- and 3- dimensional surfaces. Much
of her outdoor time was spent along beaches assembling installations
of flotsam & jetsam that would become rearranged by time,
tide, and weather. Participating in the long term process
of building & observing the progress of disintegrating beach
installations has been a life long interest. Although she trained
in ceramics at university, Fox spent 32 years in the field of design & construction
using the sewing machine– at various times employed making
Art to Wear clothing; costumes for theater, dance, opera, & circus;
and more recently in creating site specific installations for commercial
interiors. A full time studio artist since 2001, Fox maintains
a fully equipped sewing studio on each coast where she primarily
produces boldly colorful quilts with an abstract contemporary edge.
Her large format quilts have been exhibited across the United States
and in Europe. Scarf making offers the joyful opportunity to play
with color and texture. |
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Barbara Framm was
born in Duesseldorf,Germany. She lived the first years of her life
in Duesseldorf, and came to California and Marin County as a young
child,growing up in the shadow of Mt. Tamalpais. She has devoted
her life to the study and performance of classical Indian dance,
both Bharata Natyam and Odissi styles, and has also performed Central
Asian and Persian classical dances. She has been an avid disciple
of the Indian arts and yoga, but until now had never painted. This
painting is the product of a two-day workshop "Art as a Spiritual
Practice" directed by Shiloh McCloud, attended as part of
the required curriculum of the Women's Spirituality M.A. program
at Institute of Transpersonal Psychology (ITP) in Palo Alto, CA.
Barbara is grateful to Shiloh for opening the door of the art of
painting, and to her teachers and their inspiration which helped
to create this unique program (Women's Spirituality M.A.)
of academic,experiential, ritual, and creativity-based study and
research. This painting represents my 'visionary self': "Urania,
Muse of Introspection, Inspiration, and Insight". www.catherineframm.org |
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Chandra Garsson lives
in Oakland, California. She grew up in Los Angeles, California.
She has two degrees in fine art, including a Master of Fine Arts
from San Jose State University, with her B.F.A. from U. C. Santa
Cruz. The mixed media sculptures presented in this exhibition are
made from wire, bone, doll parts, mannequins, beeswax, fishnet,
metal, wood, paper, paint, jewels, cheesecloth, nails, an antique
toy bank, hands praying from a religious reliquary, gold leaf,
a Barbie doll torso, an ancient red toy windmill, and various other
materials. The “Three Wise Men” are actually a depiction
of three little sisters: Divine Justice, Divine Maternity, and
Divine Contemplation. They play divinely with notions of role reversal
with the most powerful of our world, men, but with a sly twist,
for they are wise. "Worship” keeps spirituality
in the troublesome box of all that we hold dear in most of our
human cultures, namely money, alluding to the old saw, “all
that glitters is not gold.” Finally, Barbie on a cross reminds
us, along with the three little wise men, that we the woman, we
the man, we the baby, we the people. No one is better than anyone,
and we all must be the best that we can be, our own most Divine
selves. In the last show in the old space of Pro Arts Gallery (the
first solo exhibition of the gallery at the time), over two hundred
of Chandra Garsson’s works were shown in the exhibit, Insomnia
(Awakening), a mid-career retrospective of the artist’s work. |
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Dean Gustafson currently
lives in San Francisco, has been an active artist in the bay area
since 1986. He grew up in Minneapolis, Minnesota where he became
interested in art through a family of artists and the excellent
fine art museums that exist there. Received a BFA in Painting & Drawing
in 1990 from the Academy of Art College in San Francisco. Has maintained
a creative life ever since, influenced and inspired by the beauty
of the area, and activity of fellow artist friends. His main medium
is oil on canvas of varying sizes, with a strong history of local
solo and group exhibitions. His website gallery is filled with
many years of diverse artwork at http://deangustafson.net .
Artist states: “My work stems from the imagination and from
life, with recent paintings increasingly influenced by an involvement
with astronomy, combined with an interest in exploring unique compositions
and a love for the rich color and textures than can be made with
the time honored tradition of oil painting ”. |
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Rohilah Guy was
born in Canada and moved to the Bay Area in 1964. Rohilah
works in pastel, watercolor, acrylic and sumi-e. She has
recently begun Learn, Inc. photography. Rohilah has always
been interested in art, studying it as a child and in university. Encouraged
by many people along the way, the artist continues to explore all
facets of art. She has been a weaver and a textile and clothing
designer. The artwork in this show depicts a homeless man,
waiting and hoping for salvation. |
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Rev. Gina Rose
Halpern, Founding Director of the Chaplaincy Institute
for Arts and Interfaith Ministries, is a Richmond, CA. resident
who was born in Philadelphia, PA. She received her BFA, in Ceramics
from Rhode Island School of Design. MA. Was begun with Cranbrook
Academy of Art. MI. and completed at Holy Names University in
Oakland, CA. She finished her Doctorate of Ministry Degree while
on faculty for Matthew Fox and Naropa University, Oakland-The
University of Creation Spirituality (now Wisdom University.)
Her work, has been inspired, by artists, from every culture,
who have created beauty in the service of the Divine. In addition
her work has been inspired by her family of artists- first teacher,
her father artist, Fred Halpern, his sister, artist Sylvia Barkan,
and her grandfather folk artist, Nathan Halpern. Paintings for “Simply
Divine” ware all created in the watercolor medium. She
is recipient of “The Chrysler Award, Cranbrook Academy
of Art” Earth Watch Artist Fellowship, for study in Nepal,
The Culpepper Foundation Grant for Educators, and The Buckingham
Browne and Nichols School Faculty Grant, for
study in Japan, Nepal, India, Thailand, Bali & Java. She
is Author and illustrator of "To Heal the Broken Heart," and
the bilingual children's book "Where is Tibet?" Exhibitions
include Marin General Hospital and the Institute for Health & Healing.
In 1995 she toured Russian pediatric hospitals as a clown with
Patch Adams, MD and in Gesundheight Institute. Rev. Halpern has
been on the faculty of John F. Kennedy University. “May
this art open you to the diverse ways that people come to know
the Divine, and help bring Peace to our world.” chaplaincyinstitute.org
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Mercie Harris lives
in Hayward, CA. She was born in Canada. She attended classes at
the San Francisco Art Institute and Chabot College in Hayward.
She is a member of East Bay Women Artists, ART, Inc. of Castro
Valley and Leonard Breger’s Critique Group. She has been
showing her work in the San Francisco Bay Area since 1995. She
works in oils, acrylic and clay. |
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Bruce Heppler was
born in Berkeley 1955 (Kaiser). He graduated Berkeley High
in 1973 and worked at Lawrence Berkeley Lab from 1975 to
1983 as a mechanical technician. He moved to Covelo, Mendocino
Country and opened a welding and repair shop. Bruce has been
working with metal all his life. He did an art sculpture for a
benefit for a local music teacher whose mobile home burned (made
a phoenix from trailer frame), got positive comments and started
making other things. He takes inspiration from many sources,
notably Louis Armstrong, the Three Stooges, and the Marx Brothers. When
he’s not working on farm equipment, he’s making art. |
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Melanie Hofmann graduated
with a BFA in Textiles from the California College of the Arts
in 1996. Her home and studio are located in Berkeley. She
first explored the joy of creating art in pre-school and she has
not stopped since. As a teenager Melanie fell in love with
fiber art, specifically with weaving and dyeing fabrics. Melanie
has received awards from the Taegu International Textile Design
competition and from Manhattan Arts International. Limited
edition prints of her digital art are in the corporate collection
of Lifescan, Inc. in Milpitas. Melanie works with both textile
and digital media. For this show, she is featuring her textiles
and Italian Charm bracelets. Her work has been inspired by a number
of artists including, Jean Miro, Rene Magritte and Magdalena Abakanowicz.
She was also influenced by the artwork of her maternal grandmother,
Zura Young, an abstract painter. Melanie seeks to convey through
her work the interactive process with her media and a visual representation
of her inner world. In addition to Italian Charm bracelets
featuring her work, she can make custom bracelets with photos and
artwork that you provide. |
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Stan Huncilman was
born in Indiana but he is a product of the San Francisco Bay Area
art world. He attended San Francisco State University where
e was introduced to Funk Art and Happenings in the ‘70s. He
received his M.F.A. from the San Francisco Art Institute in 1984. S.F.A.I.
is the home of the Bay Area’s leading art instructors. He
has been a sculptor for more than 25 years. Stan works in
a variety of materials. As a matter of practice he uses the
material that is most expedient to creating the sculpture he wants
rather than “pushing a particular material.” His
sculptures often begin from a simple sketch. He prefers to
work in a in a direct manner tan her than making molds of models
before the final sculpture. The artist states: “I combine
a child-like playfulness with primitivism. This creates a wonderland
of intriguing forms and convoluted messages. When I enter
my studio there is a mental sign post reading “Linear Thinking
Stops Here.” Through my sculpture I create a world of nutritiously
puzzling paradigms whose roots may be in religion, folk art, nineteenth
century industrialisms or Greek mythology. In this world,
a whimsical sense of humor walks arm in arm with an obstinate determination
to create. The sculptures in this exhibition are part of
his “All My Psyches” series, a whimsical yet intriguing
observation of the complexities of consciousness. His solo
exhibits include Holy Names College in Oakland, California and
the University of the Pacific in Stockton, California. |
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Diane
Jacobson lives in Oakland, CA. She is a transplant
from the Little League capital of the world, Williamsport, Pennsylvania.
As a veteran teacher in the Oakland schools, she used many art
projects and visual cues to instruct her English learners. Although
she dabbled in art classes an undergraduate, her interest in
glass art was not kindled until the 1990's. Through classes
at Studio One and the Crucible, she has expanded her areas of
expertise to include kiln casting and working deep, as well as
fusing and slumping glass. Her pieces are represented in
Pro Arts Open Studio as well as several galleries in the Bay
Area. Artist states, "What I like best about fused
glass is its element of surprise. Glass is a chameleon. Observe
the pieces as the light changes. Glass is a fickle and
somewhat undependable medium, as reactions to color and temperature
cause a visual dance of light and texture. Enjoy the dance." |
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Helen Jones lives
in Berkeley, Ca and for 15 years worked as a professional tile
setter. She installed wonderful stone and tile bathrooms, kitchens
and fireplaces in so many houses but would never get to see them
again. After she retired from the construction business, she found
pleasure in doing ceramics for fun. She participates in Diana
Bohn’s class at the South Berkeley Senior Center where she
is able to fire the pieces she makes. She also continues to work
with tiles and broken ceramic pieces doing murals and other art
works. |
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Jenny Sueyoun Kim lives
in San Francisco, CA. A daughter of Korean immigrants, Jenny was
born and raised in Los Angeles. She comes from a long line of artists,
mostly painters, and she herself has been drawing and painting
since before she started school. After graduating from UC Berkeley
with a degree in Linguistics, her passion for art intensified,
and her interest in three-dimensional media flowered from her “love
of decorating the human body—from tattoo art to jewelry." In
2004, she began taking Metal Arts classes at the City College of
San Francisco, and metal immediately became her favorite medium.
She states: “What's so amazing about working in metal is
its coldness and hardness, and with it, being able to create a
sense of elegance, movement, and life--which really spoke to me
like no other medium has.” Her jewelry pieces reflect her
love of organic forms: floral and figural. Her work is entirely
hand-sculpted from wax, which she creates in her home studio, and
then casts into sterling silver at Scintillant studio in the SF
Mission district. She does all steps of the sculpting and casting
process herself, from start to finish. In 2007, she began working
as a silversmith and jewelry designer on a full-time basis. Her
website is at www.jennykim.org.
Her website URL is www.jennykim.org. |
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Arianna Kordestani currently
resides in Fresno, CA, having been raised in several Bay Area cities. Her
interest in art was realized in her teenage years in San Jose. It
was in this time that she began to teach herself techniques of
painting with acrylics, through the harmonizing and repetitious
act of painting geometric shapes. Eventually several techniques
were grasped, and a style was able to emerge. She has much
admiration for the Fauvist movement, and in particular looks towards
Raoul Dufy’s work for beauty and inspiration. She has worked
in many mediums, including metal, wood, clay, and charcoal, but
continuously finds herself gravitating towards paint. |
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Rafael Landea is
an Argentinean artist who moved to San Francisco in 2002. He graduated
in Art and Set Design from the University of La Plata, Buenos Aires,
Argentina, and continued his education with some well-known Argentinean
visual artists in the areas of Painting, Creativity, and Literature.
From the beginning of his career, he has been interested in theater,
music, literature, and murals. Rafael joined a theater company
as a set designer and later started to work in some of the biggest
theatrical venues of Buenos Aires. Working as a muralist and set
designer has allowed him to travel to different countries in Latin
America and Europe, either to present plays in festivals or for
mural projects. Rafael painted several murals in different countries
such as Brazil, Uruguay, Cuba, and the latest in Torino, Italy.
Rafael has also held exhibits of his art in Chile, Switzerland,
Spain, and the USA. Since arriving to San Francisco, he has
painted his first mural in the city (the façade of a City
and County Clinic for Children) and has focused his work on painting
and multimedia projects. His work is regularly published in different
media, reviews, interviews, essays, CD covers, and books. Photos
of his murals in Buenos Aires are commonly found in tour guides
and other travel publications. Different collectors from Spain,
Baske Country, USA, Argentina, Brazil and Uruguay own his art.
Lately he has been working on web based projects, websites, animations,
and short films, one of them commissioned by the Museum of Art
and Memory, which premiered in July 2007 in Argentina. The short
film was done in homage to one of the most important political
Argentinean comic strip writers, Hector G. Oesterheld, who was
killed during the dictatorship ’76–’82. Most
recently he has been working on a new series of large size oils
called ‘Dress Rehearsal', where he explores the backstage
world of opera houses. Familiar parts of the plots of the
selected operas are also depicted. The fictional opera characters
and the theater workers ‘live’ the opera in a visual
game that reminds us of the age old question, ‘Does life
imitate art, or vice versa?’ For this show, he enters
ink drawings and acrylic paintings all displaying his delightful
sense of humor, which is almost always part of his art. |
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Coral Lambert, currently
living in the US, was born and raised in England and studied at
Central School of Art in London, Canterbury College of Art, Kent
and received her MFA in Sculpture from Manchester Metropolitan
University in 1990. Since then Coral has shown her work extensively
in England and America including The Barbican Center, London, Franconia
Sculpture Park, MN, Convergence, in Providence, Rhode Island, Grounds
for Sculpture and twice in Chicago’s International Navy Pier
Walk. Coral Lambert has lectured as a visiting artist at the Royal
College of Art, London and RIT, New York among many others. From
1995-1998 she held the position of International Artist/Research
Fellow in cast metals at the University of Minnesota. In 2000 she
was invited as the semester visiting artist at the University of
North Carolina and has returned there several times since. Coral
is the Founder of the US/UK Contemporary Cast Iron Sculpture Residency
Program that has taken place in England and America annually since
1997. A recent recipient of the Jerome Fellowship and Gottlieb
Foundation Award, she also has artwork in several private collections.
She and her husband spent a brief time here in Berkeley, Ca after
they were evacuated from the Gulf Coast hurricane Katrina where
they lost much of their work. Coral is currently Co-Chair of the
5th International Conference on Contemporary Cast Iron Art. Her
artwork references asteroids, standing stones and volcanoes; icons
of transformation that careen between astronomy above and archaeology
below. Central to her work is the exploration of concepts related
to growth and form, with a particular interest to those specifically
found in natural phenomena that contain some kind of metaphysical
presence. |
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Lucy Lewis, grew
up in Los Angeles, Ca. She began her career as a dancer at the
age of 10. She studied with Bella Lewitsky and Masami Kuni,
and Murray Louis before coming to San Francisco State College.
There she met John Graham and began performing with Anna Halprin,
The Dancer’s Workshop, in the 1960’s. She has
lived and worked in the Bay Area ever since. She created her own
company bringing together artists, musicians and dancers, in what
were some of the first multimedia productions in the Bay Area. She
incorporated masks, visual arts, and inspiration from nature, animals
and dreams into her work. She produced full-length compositions,
Dreamscapes (1985), at the Matrix Gallery and Between two Worlds
(1998) and many shorter pieces, The Planets (2005), Waters of Life
(2006), The Voices of Earth (2007). She is now working with dance
as a healing art, looking at dance from a cross-cultural perspective.
Lucy has a masters degree in cultural anthropology and the role
of arts in healing. Her love of art and painting came from her
mother who was an accomplished painter. For the last 10 years she
has been painting and drawing. She is especially inspired
by the human figure as a study of the beauty and depth inherent
in the human form the expression of human emotion. She has exhibited
her work at, ECLECTIX GALLERY, 2006, ADDISON STREET WINDOWS U.N.
SHOW, 2007, EXPRESSIONS GALLERY, 2008. GEORGI GALLERY. You
can contact her at, dancinglights@earthlink.net |
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Kay Licina lives
in Berkeley, Ca. She was born in Gary, Indiana and grew up on a
farm surrounded by the cornfields there. She attended the Art Institute
of Chicago at such a tender age that she was banned from the
nude figure drawing class. Later she graduated from U.C.Berkeley.
Her first ceramic teacher was Kenneth Dierck, who guided her well
for the next twenty years. Michael Jean Mathieu, who had
a fine artistic sensibility was her touchstone for beauty. She
greatly admires the work of Remedios Varo (Spain/Mexico),
Odilon Redon (France) and Paul Delvaux (Belgium) for their
sense of the mysterious. In the present show, the work is
handbuilt and thrown ceramics. Presently, she teaches ceramics
for the city of El Cerito at the Tassajara Studio to a great group
of students. |
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Roberta Loach lives
with her husband, William in Kensington, Ca. She had two children,
a son, Robert who is deceased and her daughter, Judith who is Deputy
Attorney General, Oakland, Ca. She has an M.A in painting
from San Jose State University and two teaching credentials, one
in art and one in history and political science. Roberta taught
art history for many years at West Valley College in Saratoga and
etching, drawing and design at DeAnza College in Cupertino. She
edited and wrote for a visual arts journal from 1975 – 1980
using an interview format. From 1990 – 2002 she exhibited
her work in the gallery of Michael Himowitz, a major art dealer
and close friend. Here she had four solo shows and a number of
group shows. She was also in Smith Andersen Gallery in Palo Alto,
the Triton Museum of Art in Santa Clara as part of their Bay Area
Masters Series and her work is part of a number of private collections,
most notably, Hunk and Moo Andersen of Atherton. She has curated
many shows herself and has also served numerous times as a juror.
Her work is currently at the SFMOMA Artist’s Gallery in San
Francisco and at the Collectors Gallery in the Oakland Museum of
Art. She is a member of the California Society of Printmakers and
exhibits with them often. She had a solo show with Smith Andersen
and with d.p. Fong in San Jose. Roberta states “ My
major artistic influences are Francisco de Goya, Bosch, Dix, Kallowitz,
Beckman, Daumier, Matisse, Picasso,Robert Colescott, Leon Golub,
Ben Shahn, Paul Cadmus and others.” |
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Charles Lucke lives
in Hercules, CA. He began borrowing his father’s cameras
while growing up in Stratford, CT, and has been a freelance photographer
since the 1970s. He added a darkroom to each of five consecutive
residences, and though he shoots mostly digital today, he continues
to mine an inventory of thousands of slides and negatives for images
to exhibit. His first solo exhibit, “Four Ways to Abstraction,” was
on view at the XZIBTit Gallery in Hercules for two months in 2007,
and in July 2008, the Hercules City Council awarded him First Place
in the first annual Hercules Photography Contest. Charlie’s
inspirations include Hugo Steccati and Ruth Bernhard, who, though
their work is very different, were both creatively involved in
photography to end of their long and interesting lives. Regarding
his interest in abstract photography, the artist states: “There’s
a desire in me to create something that no one else has created
(or at least, not precisely the way I have created it.) It’s
a way to free the form and change it from a visual reality to an
unreality. It’s a way to free the process from the precise
reproduction of tone, colors, and forms and let the right brain
reign.” |
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Jennifer Wallace
Mack has a Bachelor of Fine Arts from the San Francisco
Art Institute. She works in various media: painting, photography,
mixed media, and jewelry. Her work is consistent in the
quality and detail in each medium she applies. She has
exhibited at a number of solo and group shows, many of which
were juried. Shown at Expressions Gallery is her magnificent
jewelry. Jennifer has served on various Boards of Directors
for long standing Artists Organizations such as the San Francisco
Women Artists, where she was a past President and continues in
the current Board as Vice Treasurer and The San Francisco Gem
and Mineral organization where she is currently Treasurer. |
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Janet McGill is
a sculptor, interior decorator, and a freelance artist with over
thirty-five year’s experience and is currently living in
Moraga. Janet grew up in a family of artists, attended the
University of Washington earning a BA degree in fine arts. Her
digital images have a basis in a painterly tradition, a tradition
of art making built from her own background in the study of composition,
color theory and the handling of subjects. She turned from
the practice of painting with canvas and brush years ago to pursue
digital imagery. Her digital art is created using a variety of
digital source images. Each piece usually begins with previously
collected images from magazine prints, photographs or scans of
objects, from her extensive digital archives. From this collection
she extracts the component pieces that will then be digitally manipulated
and combined using a multi-layer compositing technique. Bringing
this disparate variety of individual components into the finished
worked requires pixel level detail management in order to create
the seamless look of the finished image, which is then output using
archival quality inks and paper. |
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Sonia Melnikova-Raich was
born and trained as an artist and architect in Moscow, (former)
USSR, and has been living in San Francisco since 1987 where she
first exhibited as a painter in 1988. In recent years she
turned to photography as her main medium but her training and “inner
eye” as a painter and architect show throughout her works,
many of which have a remarkable resemblance to painted media. Sonia
is a winner of several national and international juried art
and photography competitions and exhibits her work locally and
nationally. Currently her works are on view in the “Industrial
Art” exhibit at the City of Berkeley Planning and Development
Department (on loan from Expressions Gallery); in the “After
Life” international juried photography exhibit at Watson
Studio Gallery, Johnson City, TX; the “Formerly and Thereafter” annual
photography exhibition juried by Plates to Pixels magazine, a project
by Pacific Northwest Center for Photography; O’Hanlon Center
for the Arts, Mill Valley, CA; and at the Elizabeth and Alvin Fine
Museum of Temple Emanu-El in San Francisco. Presented in this exhibit
are several examples from the artist’s “Zenscapes” series
which is comprised of images captured at Green Gulch Zen Center's
farm and garden at Muir Beach, California. “It is said that
Oriental artists are not interested in a photographic representation
of an object but in interpreting its spirit. In my art I strive
to do just the opposite: to interpret the spirit of an object or
landscape through photographic representation. I hope that in my
images I have managed to capture the sense of mystery and illusion
which is usually easier to convey through poetry or music,” says
the artist. All works are signed individually produced original
high-resolution photographs printed using the state-of-the-art
Epson technology using non-fading inks on archival-quality Somerset
Velvet paper. The artist avoids mass-producing her work by printing
on-demand a limited number of pieces (some are one-of-a-kind) while
maintaining full control of the quality of each individual print. |
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Maj-Britt Mobrand lives
in Berkeley, CA but was born and grew up in Stockholm, Sweden. As
a little girl, she saw her grandmother’s loom in the attic
and was very intrigued by it and knew she wanted to master one
of those. She has taken weaving classes both in Sweden and
the U.S., but is for the most part self-taught. She has been
teaching weaving here in Berkeley since 1968. Some of the
juried shows she has participated in are U.C. Berkeley and Live
Oak Art Galleries in Berkeley (1969); Artist League of Vallejo
Gallery (1975); Olive Hyde Art Gallery in Fremont (1988); and Pro
Arts Gallery in Oakland (2006 and 2008). She has also participated
in many Open Studios and has shown her work at various local venues
and as a result has weavings in many private collections. Artist
states: “I enjoy using traditional weaves and patterns
in a non-traditional manner and am striving to find a harmonious
balance between the natural and the artificial or planned. My
inspiration is derived from music, nature, travels, and from my
students. It’s wonderful to see the enthusiasm of
my students as they develop their projects on their looms after
I’ve given them the ‘know how’.” |
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Richard Quinn was
born in Ohio and studied at the Cleveland Museum of Art and the
California Institute of the Arts. Currently, he is living in Sonoma,
California. He is trained in theater and music as well as painting.
He brings a multifaceted sensibility to his creations. His strong
interest in Eastern and Western cultures are evident in the ceremonial
and meditative aspects of his work. Richard Quinn believes that
Art is the "language" of the Unknown. He has a distinguished
record of solo exhibitions in New York, Chicago, Los Angeles, San
Francisco, New Orleans, Miami, La Jolla, Sausalito, Las Vegas and
Carmel. Richard Quinn's list of corporate collectors includes
such companies as: AT&T; GM; IBM; Johnson & Johnson; Lipton;
Smith Barney; Prudential; Pfizer; CBS; NBC; Seal and American Savings;
Christian Dior; New York Telephone; Time, Inc.; Rose Pharmaceutical;
The New York Times; Holiday Inn - Time Square; Calvin Klein and
UPS. |
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Mona Ram has
been living in the Bay area for the last 40 years and is mostly
known for performances as an actress in Marin and San Francisco.
Mona is an experimental (self-taught) visual artist and most of
her works are done with watercolors, pen, ink and oil pastels.
Gifted with a “good eye”, her imagination falls easily
from her mind to the paper. She loves to create holiday and celebratory
cards with recycled materials and to reuse findings and collectibles
that “walk” into
her life. Mona also creates gourmet bath products which she creatively
packages. Inspiration and support come from singing with the World
famous Glide Ensemble Choir in S.F. every Sunday; from her dear friends
and her brilliant and beautiful daughter. |
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Neshat Rezai was
born in Shiraz, Iran and moved to the U.S. at the age of 14 where
she completed undergraduate and Dental School. She currently
resides and practices in Berkeley. Neshat is a glass artist specializing
in kiln form glass fusing. She uses glass as her medium with
occasionally incorporating metal and gold leaf. She finds
glasswork very similar to dentistry where one needs to have artistic
ability and precision. Her work is largely inspired by Persian
patterns and nature. “My work is a celebration of colors–LIFE. Glass
is truly a medium that is limitless. Since childhood art
has always been part of my life. When I found glass, I found
my passion. Glass is so fragile, yet so powerful.” You can
see more of Neshat’s work at http://www.neshatglass.com |
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Christine M. Rossi lives
in Berkeley California but originally comes from a rural area in
up-state New York. Christine began exploring art at an early age
winning several art competitions while in high school. She was
influenced by Japanese art and theater while on an exchange program
to Japan. Christine later studied costume design at SUNY Binghamton,
illustration, oil painting and color theory through the University
of California Extension Programs and has explored the mediums of
Casein and Encaustic paint on her own. After moving to the
San Francisco Bay Area in the 80's she began working as an architectural
model builder and illustrator for a San Francisco Architectural
firm. She branched out into creating illustrations, two and three
dimensional, as well as models throughout the 80's and early 90's.
Other career pursuits took her away from her art practice; however,
she returned to creating pieces that reflect her philosophical
reactivity to her personal world and the world at large. The
works are secular in nature but draw heavily on religious and mythological
imagery. "Creating has become tuned to preserving the every
day life of those that preceded me capturing a day in human history,
or telling a story through the imagery of the land and human interaction.
My work is indicative of my exploration of the human experience
through spiritual and mythological cycles and interaction with
the natural world. In this new series I primarily work in oil and
casein with three dimensional elements created through the addition
of recycled and natural materials." |
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Susan Sanford is
a sculptor living in Oakland, California, where she was born. She
graduated from Carnegie-Mellon University with a degree in printmaking.
As an editorial illustrator, she has had work in Car & Driver,
Newsweek and U.S. News and World Report. Currently she is working
with mosaic sculpture, which has been shown in galleries in San
Francisco, Marin and Sonoma.Her web site is http://www.mosanford.com Artist
Statement: sculpture involving the use of broken dishes pursues
the question of the afterlife of objects in our throwaway culture.
A fascination with putting what has been broken back together in
unexpected ways is one theme the artist pursues. She attributes
a lifelong taste for the mock heroic to early exposure to the cartoons
of Saul Steinberg in The New Yorker. |
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T. Scott Sayre is
an internationally acclaimed artist residing in the
Bay Area for the last 25 years. He produces murals and fine
art. His works include historical murals such as the Life of Jack
London in Jack London Square, Oakland California. He creates
fine art, landscapes and portraits. He has worked with light show
artists since the 1960’s and collaborated with dancer, Lucy
Lewis on numerous projects. This series of paintings and
photographs are inspired by the dance s choreographed by Lucy Lewis.
Lucy Lewis is a dancer, artist, anthropologist and choreographer
from the Bay Area. She has created multimedia events using dance
light and the environment for many years. The photographs are
site specific dance projects, with Lucy Lewis and Cathy Meyer,
Photographs by, T. Scott Sayre |
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Rita Sklar is
an award-winning artist. She took up art seriously only 11
years ago, attending classes and workshops throughout the Bay Area
and training with a private watercolor master in Madrid for a year.
She draws inspiration from her life in the multi-cultural Bay Area. Previously,
she served as a Peace Corps Volunteer in Senegal, West Africa and
worked for corporate giving programs and foundations serving the
Bay Area’s non-profit community. Recently awarded a commission
by the County of Alameda, Sklar has also received a grant from
the City of Oakland. Her works are in private collections
across the country and in Europe. Her paintings of
animals and birds have been shown at the Lindsay Wildlife Museum,
the Oakland Zoo and other venues. Her landscapes have been
shown at Filoli Gardens. Expressions Gallery presents Sklar’s
spiritual works in water media on paper. Sklar skillfully juggles
organic and geometric forms, transparent and opaque paint - all
held together by a basic abstract underlying shape. It is this
intricate dance, rendered in strong color and value, which produces
her exciting paintings. Solo exhibits featuring Sklar’s works
have been held at the Montclair Gallery, Tilden Park Nature Center,
Metropolitan Transportation Commission, Wente Vineyards Estate
Winery, East Bay Municipal Utility District, Pro Arts Gallery’s
Broadway Windows Project, and the Albany Community Center. Currently,
Sklar’s work are featured at the Solano Grill in Albany,
Bucci’s in Emeryville, the Kensington Library, the San Francisco
Women Artists’ Gallery and the Pacific Art League in Palo
Alto. More of her work can be found at www.ritasklar.com.
Go to www.ritasklar.com to
see my watercolors, current shows, and awards. |
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Rosiland Solomon, a
San Francisco artist, was born in Los Angeles, and raised in Cleveland,
Ohio. Growing up in the still-green and forested fields, Rosiland
fell in love with all the teeming plant and animal life, and did
her best to capture their images vividly with her shiny box of
crayolas at every opportunity. After graduating high school and
after only a year of art training at Oxford University in Miami,
Ohio, Rosiland moved to California and apprenticed in a movie poster
studio learning airbrushing from Ron Kriss, a well-known local
artist. Rosiland then went on to develop her own style as an illustrator,
specializing in children’s nature books and Science textbooks.
Rosiland has painted illustrations for eleven children’s
books, countless textbooks, magazines, posters, puzzles, games,
and even a Tarot Deck and Astrology Calendar. Her love of all parts
of the natural world, as well as her studies of comparative religions,
traditions and spiritual philosophies, led to her interest of paintings
for her own spiritual growth in a more eclectic vein. In her artwork you can
see influences of Hindu, Buddhist,,Tibbetan, Jewish, Christian, Pagan ,Wiccan,
and other traditional-and not so traditional- archtypes.
Currently, Rosiland still paints illustrations for children’s science textbooks,
as well as designing Art Print Sets for licensing. She exhibits her work every
fall in San Francisco Open Studios, winning a Juror’s Award last Fall.
She also had an Opening in Carmen Chu’s Office in City Hall in San Francisco.
Her artwork exhibited here is a combination of airbrushed guache and guache and
prismacolor detailing printed on canvas as Giclee prints. Each Giclee is original
in that it is stretched on canvas, and then certain parts and areas are painted
with acrylics to “look exactly the way she envisions it.” Leap
of Faith is what she calls an “Eclectic Multi-Archtypal Thangka Wall
Hanging”. She got the idea from Tibetan Thangka paintings that are all “Yantras” meant
to teach the viewer thoughts too deep for them to achieve understanding in mere
words. Rosiland believes that art can teach both the painter and the viewer spiritual
Truths equally in this way. |
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Ervin Somogyi was
born in Hungary in 1944 and is a Holocaust survivor. He has
lived in Hungary, Austria, England, Cuba, Mexico, Peru, and Spain. He
speaks four languages (or five, if you count Pig Latin). Somogyi
has been a professional luthier for 40 years and is one of the
most prominent of the postwar generation of American guitar makers.
These wood carvings and inlays are made by Ervin Somogyi, a longtime
professional lute and guitar maker. This particular kind
of artwork is inspired by the traditions and techniques of lutherie
(fretted string instrument making) as it was practiced before the
advent of electricity and power tools. Somogyi’s
wooden plates are usually “bookmatched”, which is the
traditional manner of preparing the soundboards of lutes, mandolins
and guitars. “Bookmatched” means that a plate
of wood is cut in two, opened up like a book, and glued edge-to-edge. This
results in a single plate of wood with uniform mirror-image working
and visual properties. If the center joint is skillfully
rendered it’s invisible, leaving the appearance of a single
plate; or, one can insert a centerstrip of one or more pieces of
contrasting woods. You can easily see the bookmatches if
you look. He works in Oakland, California. More information
about him is available on his website at www.esomogyi.com |
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Arlene Risi Streich, grew
up and lives in Oakland, Ca. and cannot remember a time that she
has not been interested in art. She received her B.A. ED and A.B.
F. A. (Painting) from California College of Arts and Crafts (Now
CCA) and has lived and spent much time in Mexico doing painting
and photography. She has taught in the Oakland Public Schools,
Diablo Valley College (Painting, drawing and fashion illustration)
and CCAC (Children’s classes). She is presently exhibiting
her glass jewelry, a medium started four years ago, and her painting.
Her Jewelry work is influenced by her background in painting incorporating
a bold use of color and line. Her painting and jewelry work has
been shown in numerous exhibits around the country and in private
collections. Artist states: “Our role as artists is
to continue to amaze, provoke, stimulate, delight and agitate the
senses. The fact that we continue to do so is a testimonial to
not being complacent, while trying to process the internal/external
creative dialogue.” |
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Vera Tour (Вера Тур)
was born in 1979 in Moscow, Russia, and currently resides in Alameda,
California. She grew up in the former Soviet Union and did not
have any training in arts. However art was always a point of fascination
for the young child. Curiosity and sense of adventure in the year
of 2000 moved Vera to the USA. In 2006, while in California, she
started painting so to visually start expressing "the inexpressible,
define the undefinable never-ending ever-changing beautiful illusion
of Life". She chooses acrylic paint as her medium but claims
that anything will do when it comes to creating - pen, pencil,
spoken word, beets and cabbage... Vera states: "Anything I
do I consider Art. "Anything" that is nothing but only
a way of expressing my eternal bewilderment and awe about Life
and the beauty within all Creation. And by expressing Life I become
one with it - its amazing particle in the vast wholeness of Everything
That Is". |
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Lawanda Ultan lives
in Berkeley California. She was born Oklahoma, and grew up
in California. She became interested in art to express herself.
Her brother was the natural artist in the family, and it was his
influence that gave her the courage to pursue artistic interests,
which ranged from music, to clay, to painting. She traveled in
Europe and states: “I saw at first hand the magnificence
of Rembrandt, Picasso, and all the painters that touched me, making
me hope that I could speak the same language”. She graduated
in art from Berkeley, and has taken many workshops and courses.
She sas: “My statement is stolen from a great poet. ‘This
shaking keeps me steady this I know. I go by going where I have
to go.’ " |
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Georgia Whitaker lives
in the Hayward hills and grew up in Sacramento, Ca. where she graduated
from high school with a scholarship in Art. She graduated from
California College of Arts with a Bachelor of Arts degree and worked
in the field of graphic arts for five years. She taught color
theory and gave college classes at the adult school in Castro Valley,
Marin Society of Artists and Valley Arts Gallery in Walnut Creek
show her work. She received best of show at the Alameda
County Fairs. Georgia loves fine arts and is an accomplished artist
with many exhibit and honors behind her. She has plunged into the
world of fashion and is now designing wearable art. She will custom
design orders in different sizes. |
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Robert Wolff, a
bay area native grew up in Alameda and now lives in Hayward.
Before graduating from Long Beach State University, he served as
a Marine in the Korean War. He then began a 25 year career
as a High School art instructor in the Oakland School District
attending Arts and Crafts in the evenings. He and his wife
were in the yogurt/ice cream business for 15 years before
he retired in 1997 to devote more time to his art work. Robert's
first major art exhibit was in 1956 at the Kramer Gallery on La
Cienega Blvd in Los Angeles. He opened his his own gallery on Foothill
Blvd in San Leandro, CA when he first started teaching. This
was short-lived as the property was bought to build the 580 freeway.
Mr. Wolff now exhibits in Hayward Galleries and the Adobe Art Center
in Castro Valley. He participated in the open studio exhibits in
Hayward in 06 & 07 where he exhibited from his home studio.
The Hayward Sun Gallery featured his woodcut prints this past September
(08). In addition to woodcuts he expresses himself in wire sculpture, watercolor,
and acrylic painting. He attends life drawing classes twice a week
at the Adobe Art Center in Castro Valley where he is currently
exhibiting in the recycling show. |
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